marilynettelounge:

#Marilynettes ~ On June 2, 1956 Marilyn Monroe arrived in New York with Milton Greene after being in Nevada filming Bus Stop. Even though it was around 8am and she’d been on the plane all night Marilyn was all smiles signing autographs for her fans.

because I wasn’t born in the time of Marilyn, I was born almost 30 years after she died. So, if the hologram is the closest thing I can get to see Marilyn, let it be.

marilynlives replied to your post: Marilyn Monroe hologram? OMG.

God please don’t let this happen

http://www.huffingtonpost.com/2012/05/31/marilyn-monroe-hologram_n_1560981.html

i want it to happen, the one with tupac was so epic. omg. i love tupac.

lilmissmonroe:

With Cary Grant, on set for Monkey Business, 1952

mostlymarilynmonroe:

The Marilyn Encyclopedia: Arthur Miller (October 17,1915- February 10, 2005)

    Marilyn and Arthur first met in early 1951 (late 1950 in some accounts) on the set of As Young As You Feel (1951). Miller writes that they were introduced by his friend Elia Kazan, who has said he was having an affair with her at the time. Other accounts state that Miller and Kazan came across Marilyn alone in an empty studio building, weeping uncontrollably about the death of benefactor Johnny Hyde. Alternatively it is said that actor Cameron Mitchell introduced Marilyn to Kazan and Miller as they bumped into one another outside the Twentieth Century-Fox commissary. 
    Miller writes in his autobiography Timebends that when they shook hands “the shock of her body’s motion sped through me, a sensation at odds with her sadness amid all this glamour and technology and the busy confusion of a new shot being set up.”
   The next day Miller, Kazan, and Marilyn went to see Harry Cohn, head of Columbia Studios, to talk about a screenplay Miller had written and Kazan wanted to direct, for a movie called The Hook. This script, which told the story of Brooklyn longshoremen who fight against exploitative racketeers, was dropped by the studio after union complaints that it was full of anti-America sentiment. They also met up later that week at a party thrown by agent Charles Feldman, and spent time together around town as a threesome.
   At the time they first met Marilyn was still a struggling starlet whose career had twice been launched but had yet to really take off. Miller, thirty-five, was ten years older than her, the son of a coat manufacturer ruined during the Depression, who first rose to prominence as a playwright while still at college. Since then he had married his college sweetheart Mary Grace Slattery, with whom he had had two children, and become one of the most celebrated playwrights of the time. The realist style of his Broadway successes All My Sons (1947), which was the New York Drama Critics’ Circle best play of the year, and Death of a Salesman (1948), which won the Pulitzer Prize for drama, had propelled him to the forefront of the dramatic arts. He was an influential social commentator, a man who, in Marilyn’s eyes, was worthy of admiration for the way he championed the downtrodden.